We use cookies to collect anonymous data to help us improve your site browsing experience.
Click Accept all to agree to all cookies that collect anonymous data. To only allow cookies that make the site work, click Use essential only. Click Set preferences to control specific types of cookie.
Cookie preferences
Cookies are files saved on your phone, tablet or computer when you visit a website. We use cookies to store information about how you use this website, such as the pages you visit.
Cookie settings
We use 2 types of cookie. You can choose which cookies you are happy for us to use.
Cookies that measure website use
We utilise analytics tools to measure how you use the website, enabling us to enhance it based on user needs.
Strictly necessary cookies
This website may use cookies that are required for aspects of this website to work and to keep it secure. They always need to be on.
Islanders once more turned out in their droves to see over a dozen visiting acts fiddling, strumming, picking and singing their way through 24 concerts over four days at the Shetland Folk Festival.
Organisers have hailed the 33rd festival as one of the best yet, with local performers sharing the bill as artistes, including five talented North American acts, brought a diverse blend of genres to Shetlanders’ welcoming ears.
It’s been a long weekend for our stalwart reviewer Olivia Abbott, but she made it through to the end and, as a veteran of folk festivals elsewhere, she offers her verdict on ours.
The fiddles were out and the tunes in the bar got started pretty much the minute the Shetland ferry left Aberdeen last Wednesday night, the 12-hour voyage serving as a time-honoured preamble to the islands’ world-famous annual four-day orgy of music-making.
Saturday night saw one of the highlights of the weekend take the stage at the North Ness, sending a packed house and our own correspondent Davie Gardner into raptures of delight.
It’s difficult to know where to start when describing such a fantastic night of music.
Brought together by musical directors Margaret Scollay and Douglas Montgomery the Isles’ Gathering at Mareel last night saw 20-odd of Shetland and Orkney’s most talented musicians collaborating.
"You’re in for a treat." That was the prediction from the bar staff at the Legion in Lerwick who’d heard the sound check ahead of last night’s concert.
There was an Irish theme running through the evening but it was down to locals, Birls Aloud, to kick things off with the splendidly-titled Orcadian tune I Have Never had Pumpkin Soup Before, which soon warmed the audience up.
I can’t think of a Shetland Folk Festival concert at the Clickimin that had quite so many people up on their feet dancing. Four acts and a crowd willing and full of, well, energy among other things.
Faced with the warm-up slot were the local drumming and dance troupe Aestaewast, formed around nine years ago. This eclectic mix of locals specialise in, predominately, West African songs, drum and percussion numbers.
The first evening of the Shetland Folk Festival presented an eclectic mix of musical styles at Voe Public Hall on Thursday night, reports Olivia Abbott, who is experiencing the four days of musical mayhem for the very first time.
The line-up last night at Cunningsburgh on the opening night of the 33rd Shetland Folk Festival promised much.
And it promptly delivered on a committee promise to festival stalwart, the late Michael Coutts, that “we’ll make sure that this festival is one of the best yet”.
Scottish singer and broadcaster Mary Ann Kennedy today described the Shetland Folk Festival as “one of the jewels of the musical world, not just the folk world.”
After performing at the official opening of the 33rd festival, Mary Ann said: “People know it’s a big festival. You’ve got to make a big effort to get here but the reward is more than equal to that.”
SHETLAND has geared up for yet another weekend of great music as the annual folk festival kicked off on Thursday with its traditional lunchtime concert in Lerwick’s Islesburgh Community Centre.